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・ Yumi Ohka
・ Yumi Sakugawa
・ Yumi Shimura
・ Yumi Shirakawa
・ Yumi Stynes
・ Yumi Sudō
・ Yumi Sugimoto
・ Yumi Takada
・ Yumi Takigawa
・ Yumi Tamai
・ Yumi Tamura
・ Yumi Tsukirino
・ Yumi Tōma
・ Yumi Uchiyama
・ Yumi Yoshimura
Yumi Yoshiyuki
・ Yumi Yoshiyuki filmography
・ Yumi, Yumi, Yumi
・ Yumie Funayama
・ Yumie Hiraiwa
・ Yumie Nishiogi
・ Yumigahama Station
・ Yumika (name)
・ Yumika Hayashi
・ Yumika Hayashi filmography
・ Yumiko
・ Yumiko Aoyagi
・ Yumiko Cheng
・ Yumiko Fujii
・ Yumiko Fujita


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Yumi Yoshiyuki : ウィキペディア英語版
Yumi Yoshiyuki

is a Japanese film director, actress, and screenwriter best known for her work in the ''pink film'' genre.
==Life and career==
While studying economics at Dokkyo University, Yoshiyuki developed a love of film. She debuted as an actress in the ''pink film'' genre in 1993 in director Toshiki Satō's .〔 By the time of her directorial debut three years later, she had appeared in over 100 ''pink'' productions.〔 Among the prominent ''pink film'' directors she has acted for is Satoru Kobayashi, the director of the first ''pink film'', ''Flesh Market'' (1962). She appeared in Kobayashi's (1995), starring AV idol, Nao Saejima. The mainstream Yokohama Film Festival awarded Yoshiyuki with the Best Supporting Actress title for her work in director Akio Jissoji's Rampo Edogawa adaptation, .
In 1996 Yoshiyuki directed her first ''pink film'', . At the Pink Grand Prix she was given a Best New Director award for her debut work, as well as the second place for Best Actress. The film was selected as the 10th best ''pink'' release of the year. Since then, films directed by Yoshiyuki have often been placed in the top ten. Her talents as a screenwriter were also awarded at the 2004 Pink Grand Prix for the film .
Anglophone ''pink film'' authority Jasper Sharp contrasts Yoshiyuki's style with that of well-known female ''pink'' director Sachi Hamano. Calling her directorial style "softer and gentler" than Hamano's, which he characterizes as "lewder, ruder and cruder than most in the genre," he notes that it is easier to detect a feminine sensibility in Yoshiyuki's work. In her films she often depicts the lives of ordinary women in modern Japan. While this is not an unusual theme in the contemporary ''pink film'', Yoshiyuki's work is recognisable for the meticulous and authentic detail the director achieves.〔Sharp, 297-298〕
Yoshiyuki's directorial work has also been recognized by non-''pink'' audiences. In 2004, her film was invited to be shown at the Yūbari International Fantastic Film Festival.〔 Her 2006 film, ''Big Tit Sisters: Blow Through the Valley'', under the title , was also invited to be shown at the festival, and Yoshiyuki attended as a guest. Also honored by the ''pink film'' community, ''Big Tit Sisters'' was chosen as the 7th Best Film at the Pink Grand Prix ceremony, and the walkerplus film site named it the sixth best ''pink film'' of the year. Her 2004 film , besides winning 5th best ''pink'' release at the Pink Grand Prix, was shown at the 13th Lesbian and Gay Film Festival.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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